Indian Diamonds History Jewellery Luxury Marketing Brands

 

UNIQUE JEWEL CAD CAM SOLUTIONS

No 144/74, Eskay building, 3rd floor,

Greams Road, Thousand Lights

Chennai, India, Tamil Nadu

Mobile:  +91-9444100081,9840689781


 

We will assist with your next custom design job and offer a variety of Design Services which are tailored to fit the needs of our clients. We offer an turn key solution of high quality service and the latest software and equipment along with years of experience and training and we will work with your existing designs, ideas, drawings, samples, and photos to create your own design.

Providing You with a host of comprehensive services including:

Design Consultation:

We will work with your existing designs, ideas, drawings, samples, and photos to create your own, either new or existing design.

Design Process Stages

1.Consultation with a Designer
2.Share ideas and any pictures you have
3.Discuss any Stone requirements
4.Initial Quotation given
5.Design Drawing created
6.Free alterations to Design if Required
7. Computer 3D image created if required
8. Design agreed fully before proceed
9. Timeline for production confirmed
10 Quality Checks made at every stage

Drafting and design assistance:

To help you create a unique line of jewelry in price points and styles to fit your store

Model Making Service:

Rapid Prototype(RPT), Wax Milling, and mold-making service

Note:

 All the above Jewelry Design Process Outsourcing services will be provided for CAD/CAM named Rhino, Rhino Gold ,Rhino Jewel, Gemvision Matrix, 3design cad,JewelCAD-  designing softwares uniquely made for jewelry designing. molding waxmilling, RPT with HR envision

Jewellery Branding:

 

Marketing, advertising, and promotional materials including packaging, displays, flyers, website and print digital art for your next promotion.

Services List

Drawings provided from initial consultation.

Drawing charges are off-set against any proceed. CAD ( Computer Aided Design) is an

accurate and effective way of previewing a final product. We specailise in creating

shaped wedding rings that perfectly fit against any engagement ring Huge range

of certicated diamonds of all shapes, sizes, colours and clarity.

A wide section of coloured Gems available with expert help and advice

Unique Jewelry CAD Design Studio can help you start from scratch or use your existing design ideas.

We can help you and your customer with all aspects of custom jewelry design by being able to see the piece before it is even produced.

Inspiring Jewellery Design Ideas from the Emerging Designers and Established

Designers around the world

CAD Jewelry Design: we design the jewelry according to your specifications and provide you with a rendering/image

Jewelry Design with Wax  – we design the jewelry and create a wax model of the design.The wax can then be cast and finished at your discretion.

Jewellery Design and Cast: we design the jewelry and cast it also.

Jewellery: we design, cast, polish, and set your stones.

Details you may want to include are:

Ring size

Types, shapes and sizes of stones

Shank and head style

Metal type – Platinum,Gold, Silver

Dimensions of widths, heights, lengths of various parts

Top and side views

Using your information, we create a 3dm (STL) file and a image jpg. with all measurnments and estimate weights that is E-mailed to you for review before creating the wax.

We will make changes to the current model or file and send the new image (rendered) to you for  your approval.

Should you wish upon final approval, we produce the wax model and casting. Alternetively we can provide you with the 3dm file only which can be utilised at any casting.

At Unique Designs, we are proud of our commitment to service.

Our prime concern is to ensure the satisfaction of our customers worldwide in response to the trust they have placed in us.

The services we provide reflect the very high quality standards that distinguish our creations. They contribute to the long-lasting durability of your watch and jewelry.

• Discover the range of services we offer and our craftsmen’s secrets in the “Services” section.

• Learn how to take care of your watch or jewelry in the “Care and Maintenance” section.

1) 2D Hand sketching, 3D CAD jewellery designing and Modeling.

2) CAD CAM, RPT, Wax, Resin and designer Services Development & Research

3) Animation Services – 360 degree rotation of Jewellery images.

4) Complete website and Jewellery ecommerce portal development integrating Jewellery   Renderings,  animations of Jewelry models

5) New Concept Design Creation Pencil drawing, Corel draw, 2D to 3D Conversion and Development

6) Jewellery Rendering Services. Jewellery Logo, Jewelery Catalog designing by V-ray High Quality Images.

7) Specialized in Wedding jewellery collections and Bridal Jewellery collections with latest Fashion trends.

8) Logo, Jewellery Catalog Designing by Flemingo, V-Ray High Quality digital Images

9) Designs for Jewellery ecommerce portals , Creating Jewelry websites and designer brand jewellery Catalogues.

10) Jewellery Display, Jewellery Photography box and Customer Exhibitions with Jewellery Designs.

3D JEWELLERY CAD CAM WAX Rubber Mould Services

 

Aesera Jewel Design  Academy

No 144/74, Eskay building, 3rd floor, 

Greams Road, Thousand Lights

Chennai, India, Tamil Nadu

Mobile:  +91-9444100081,9840689781

 

 

FAQ on  Rhino JEWEL CAD  CAM Designing Services

 What’s the best CAD Software to Design Jewelry?

The best Cad for Jewelry software depends on your specific needs.  Define the work you need to accomplish. Then find a CAD for jewelry software that will do the best job for YOUR SPECIFIC REQUIREMENTS.

There is not BEST CAD for Jewelry Software.  Just the right software for YOU.

What CAD for Jewelry Packages are available and their price?

In the US, there are a good number of specific CAD for Jewelry packages available.  Their price range from a few hundred dollars to Several thousands of dollars.

The most popular are:

–  Matrix (Based on Rhino) made in the US, Gemvision

–  ArtCAM JewelSmith made in England

–  3Design CAD Jewel made in France

–  JewelCad made in Hong Kong

–  TechGems (Based on Rhino) made in Spain.

–  Rhino Gold , Rhino Jewel

Rhino is a great generic CAD program.  It’s not specifically designed for jewelry. Matrix and Tech Gems are two programs (plug-ins for jewelry) that have been designed based on Rhino.

What’s the difference between CAD for Jewelry and CAD/CAM for Jewelry?

With a CAD program you can only make a design, usually a 3D Model.   Then you can display the 3D Jewelry design in the screen of your computer. You can also export your design to produce a physical model, usually a wax model. The most popular file format to export in the jewelry industry is the STL format.

A CAM program allows you to produce the instructions to produce your model in a CNC.  These instructions are also called G-Code.

From the list above, ArtCAM JewelSmith is the only program that is an integrated CAD/CAM for jewelry program.  In ArtCAM JewelSmith you don’t have to export or create an STL file to produce the instructions (G-Code) to create your model  in a CNC.

The other programs in the list are only CAD program.  In these programs you have to create your design in STL format to produce the instructions for the CNC in a separate program.

 Can I learn CAD for Jewelry on my own ?

Yes, you can learn CAD for Jewelry in your own. It is better suggestible to train under experienced Guide. Some programs have very good tutorials available.  But be prepared to spend a tremendous amount of time practicing, you will also need an unlimited amount of patience.  If you want to get a CAD for Jewelry system to save time and money producing your models do not attempt to setup and learn the system by yourself.  Get specialized training.

If you have nice jewelry design in your mind and would like to realise it, let us create a high-quality 3D CAD model for you for future prototyping.

We have a lot of experience with different 3D programms such as Rhinoceros and 3D Max. Our default modelling program is Rhino (file format is 3dm), but if you want we can provide other 3d file formats (STL, 3DS, IGES, MGX, etc).

All 3d models prepared for 3D printing on Rapid Prototyping machines or CNC milling machines to create the WAX master model for future casting in any metal.

CAD files can be prepared from your custom design, idea, sketch, drawing, photo or from a reference piece

Get your ready 3d jewelry model within 24 hour.

  E-mail us sketches of the required item and we can give you a detailed quote showing how much the finished 3D model would cost in 3D and in WAX.

Besides custom jewelery designs (rings, bangles, pendants, earrings, brooches, necklaces, etc), you can order other 3D model designs too (figures, objects, faces, sculptures, animals, nature scenes, corporate logos, etc.).

Also we can provide you with a new design, to fit a particular application, for example if you have gemstones and you need a new idea and design, send us dimensiones of stone and we will provide our own design and model it for you.

Default 3D CAD model file format is Rhino file (.3dm), available other CAD file formats (STL, 3DS, IGES, MGX, etc).

Send us your design concepts and we can develop a 3-D model of your product.

At this stage it’s possible to estimate the item’s weight in the required metal, which will greatly assist your costing process. From a basic shaded CAD model it is possible to generate an accurate photo-realistic jpeg image of the item as it would look cast in metal, finished and stone set.

Such high quality images can be an important resource to help persuade your bespoke customer to purchase your jewellery ideas.

For anyone wanting to see an item in 3-D, we can email you a .stl file, which will enable you to view the model from all aspects interactively on your own PC.

To view .stl files, you will need to load the following free viewer software (pc only not mac) from this link: http://www.openrp.com/products/rp_viewer/index.htm

Indian Jewellery History

Aesera Jewel Design  Academy

No 144/74, Eskay building, 3rd floor,

Greams Road, Thousand Lights

Chennai, India, Tamil Nadu

Mobile:  +91-9444100081,9840689781

History                                

‘Indian Jewellery’ – two simple but heart touching words. When you think about, your minds races back in centuries. Eye capture ornamental history from passing billions of years will come in front of you. It is believed that Indian Jewellery craft is over billions of years old and over these years; it has evolved into an art – in terms of design and craftsmanship.

As Indian earliest history; when the country called Hindustan – before Chakravarti Maharaja Bharat (As per Indian history the first Emperor of the world, who become Emperor before more than 10000 billion years ago. And Chakravarti means the Emperor of the whole world.) the Indians well known with the art of Metal working, Stone cutting, Stone setting, Filigree work, Minakari (Enamelling), Kundan work, Embossing & other art of jewellery. Not only have this art of Metal working, but they well known with Jewellery Designing. By metal working and the art of jewellery designing they made many types of ornaments like Crowns, Rani-Haar (long necklace), Hansali or Hansdi (circular neck ornament), Necklaces, Pendants, Earrings, Tops, Thumb rings, Finger rings, Toe rings, Bangles, Bracelets, Kadas, Kadandias, Armlets, Armbands, Tikas, Borlas, Dots, Chains, Nose pins, Nose-rings, Nath chains (worn with nose ring), Ear chains, Waist-belts, Anklets… there is no limitation of the jewellery they made. Not only jewellery but many ornaments pieces, architectural constructions prove that the art of that time is not comparable with any other culture. Earliest Indian gives all this knowledge to the world.

India has always been a land of gems and a variety of precious stones. The test for colour in jewellery had its greatest manifestation in the lands of Hindustan and among the civilization of the Hindus. Large quantity of a wide variety of precious and valuable stones abounds in Hindustan (India). Sculptures and paintings of men and women adorn with jewels testify to their use, as does recent work which in quality and test points to the inheritance of a very ancient tradition. To the rich variety of stones was added the widespread use of pearls and of enamels and vitreous pastes, which were very popular in jewellery in India.

Adorning the hair, feet, ankles and every part of the woman’s body, Jewellery occupies a prominent place in every woman’s mind. And for the Indian woman – jewellery always was, still is, and will continue to be her innermost desire – a most intimate reflection of her grace and beauty. 

Many Indian historical places of that time have proved that India has the greatest art of metalworking, lapidary, jewellery designing, architecture and all types of work related to art. The art of the time is amazing and worldwide famous. 


In Harappa, one of the most ancient centers of the Hindu civilization, ornament was found are mostly made from red cornelian. In 4th & 5th Century AD the paintings of Ajanta show men & women wearing more jewels than clothes. In India the size & complexity of earrings, bracelets, armbands, belts, head dresses, leg bracelets and rings, which adorn these masterpieces of pictorial art, reflect the fantastic splendor.

According with the changes in centuries, a vast variety of designs & different types has been emerged with a specific purpose. Today, women will not wear ten pieces of jewellery on her head. At other times they were less bulky but still richly adorned with clusters of pearls or colored stones some were half moon shaped and minutely decorated with bezels and pendants. Armlets & Bracelets could be made of light metalwork or tabular hoops or jeweled bands. This similar type of ornament was also worn on the foot. The number and variety of belts was comparative with necklaces. The Hindu women of Rajasthan were up to ten jeweled anklets one on top of the other, each with a specific denomination rings were often more on the toes.


Indian Jewellery is characterized by some of the finest handwork and symbolizes the painstaking efforts, the utmost care and the attention to detail in every piece that the workers create. The other facet of this jewellery is that it is custom-made and often created to match the original and individual persona of the woman.


In the world, jewellery known by culture or some religions; but in India every State in India has its own special style of crafting and these styles have been adapted by the Goldsmiths and Workers of that region.

 

Indian Goldsmiths and Workmanship.

 

‘Jadau’ Jewelry                            

Also called as ‘Jadtar’ or Kundan Jewellery – is embedded with precious stones and reveals the traditional art of Rajasthan and Gujarat. Jadau creations are usually studded with multi-coloured precious and semi-precious stones and are reminiscent of the old Mughal tradition of Jadau jewellery craft.  The art of Kundan, combines enameling with uncut or rose cut diamonds and other precious stones encrusted on gold. Kundan Jadtar is a very special craft and not everybody’s cup of tea. It requires exceptional skills, concentration and loads and loads of patience. And again, these skills and capabilities have to combine with hard work and aesthetic sense to create a master piece of art.

Whether it is Jadtar, Minakari or Kundan – each style of art imposes stringent process requirements and absolute concentration because of the intricacy involved. Owing to such painstaking efforts and time requirement to craft each piece, there are only a few master His who have this finesse and expertise. Each piece is a unique creation and with quality, purity and care going into its making – it can take several weeks to craft and finish, but one glimpse at the final product and most customers forget the agony of their wait.

 

The one kind of traditional jewellery comes from North India. Minakari Jewellery is an exquisite combination of gems, enamel pigments and precious stones. This timeless craft goes back to the days of Shah Jahan – whose aesthetic vision transformed the process of lacquer enameling into a fine art. Minakari was the preferred style for the imperial thrones of those times. And even today, Minakari – with its unique carving style on Gold and Silver continues to dazzle women the world over with motifs of flowers, plants and scrolling vines. 

 

 

Hollow ornaments                   

The unbelievable art of gold work comes from Tamilnadu and Karnataka state mostly South India. These types of jewellery are looking like heavy weighted but actually light weighted ornaments.

The great work of small plain and twisted wires, different small flowers & other shapes with gold grains comes from Gujarat.

Diamond Stone Studded Jewellery                                         

 

Most world-wide popular work of Diamonds & Gemstones. The master workers of this art are Bengali-workers, from West-Bengal, East India.

 

Thewa is the art of 18th  century inaugurated from Rajasthan, India. Thewa Jewellery is a different type of art work done by 23k gold and worked on glass. Unique glasses for Thewa Jewellery are treated by a special process to give a glittering effect, highlights the intricate gold work. The motifs used on Thewa jewellery are reflecting the culture, heritage and tales of romance and valor of State Rajasthan, India. Four gold sheets, each intended for a Thewa unit, are fixed to a lac-resin compound spread on a board. Following the design inscribed in line on the gold, an openwork pattern is pierced through the sheets using fine cutting chisels. The designs may be a hunting scene, a delicate climbing plant with equally delicate flowers and leaves, a gazing deer, a dancing peacock, a woman dressed up in typical Rajasthani attire, Krishna with gopikas and many other related to this theme.

 

Chennai Jewellery 2D Sketching 3D CAD Training courses classes

 

Aesera Jewel Design  Academy

No 144/74, Eskay building, 3rd floor,

Greams Road, Thousand Lights

Chennai, India, Tamil Nadu

Mobile:  +91-9444100081,9840689781

Jewellery design is an art of beautifying personal adornment, manifesting itself as brooches, rings, necklaces, earrings, bracelets etc. It is a relatively creative and rewarding passion. The technique used to craft them is virtually endless.

The knowledge of creating and communicating a design idea through various presentations is imparted in the module, this will help to bridge the gap between the needs of the consumer and the manufacturer by using commercially viable and creative designs.

Career Opportunities:

Jewellery Designer

Jewellery Manufacturing Units

Self Employment

Teaching and Research

Independent Shops / Private Studios

Fairs and Flea Markets

Course Contents

Design Fundamentals

Visualization & Freehand Object Drawing

Geometry of Design

Colour Theory

Techniques & Material Study

Visual Exploration of Forms and Textures

Thesis of Adornments

Knowledge of Stone Cutting

Directory of Shapes & Forms

Rendering of Stones and Metals

Project I: Designing Jewellery Products for Commercial Domestic Market

Project II: Designing a range of Jewellery Products with unique style and concept.

Portfolio

Duration

Normal Track 6 Months

2 hrs class every day (Monday to Saturday)

 

How 2D Works?

2D software uses images called bitmaps. These consist of blocks of color stacked together to make a picture. Each image can be “in-scale” with the others, making them easy to size for basic design & layout. The images can be very lifelike, but only show one view at a time, usually a top view. The versatility of 2D allows images to be taken from anywhere. Printed catalog items, existing items, or inventory lists can all be captured easily. Having this starting image makes the task of modifying it much easier. A limitation of 2D is that only 1 angle at a time can be captured and altered, similar to a pencil sketch.

 

How 3D Works?

3D software uses computer-generated lines, surfaces, or solids to create 3D models of a jewelry item. With a 3D model, you can assign specific metals, gems, and colors to make a rendering. These renderings can be very realistic and can be generated and viewed at any angle around the item. Modeling in 3D is very different from drawing or designing in 2D. The 3D style of drawing has a higher degree of difficulty than 2D. Although each 3D program has ways of tackling these tasks, none of them is a causal effort.

 

What 2D Can Do For You?

In the retail jewelry world, most of your time is spent trying to get the customer to say “Yes!” to your proposed design. The length of time required to get that “Yes!” can be greatly reduced using 2D software.

 

2D clears up about 95% of the communication problem by allowing customers with limited jewelry knowledge and experience to actually visualize the exact design you are trying to sell them. In looking at the newer 3D products, be wary of people trying to criticize 2D to help sell their 3D product. This is a big misunderstanding of your needs and the strengths & weaknesses of the software. If a big part of your day is working directly with customers, it’s hard to beat the ease and quickness of 2D software.

 

What 3D Can Do For You?

 

3D truly represents a new era in the jewelry business. It is now possible to design something in exact detail, accurately sized, and have it built to exact scale. You can test ideas, try different variations, and see every aspect of the model. Once complete, your model is ready to go to a CAM (Computer Aided Manufacturing) machine to be created. The wax will be near perfect in every detail. The most important issue in using 3D technology is your dedication to learning the program. You have to practice and spend time to get good at it, just like any other art form.

JEWELLERY 3D CAD CAM CASTING RPT MOULD SERVICES

 

 

UNIQUE JEWEL CAD CAM SERVICES

No 144/74, Eskay building, 3rd floor,

Greams Road, Thousand Lights

Chennai, India, Tamil Nadu

Mobile:  +91-9444100081,9840689781

 

What’s the best CAD Software to Design Jewelry?

The best CAD for Jewelry software depends on requirements and needs. Define the work you need to accomplish. Then find a CAD for jewelry software that will do the best job for YOUR SPECIFIC REQUIREMENTS.

There is not BEST CAD for Jewelry Software. Just the right software for YOUR REQUIREMENTS.

What CAD for Jewelry Packages are available and their price?

In the US, there are a good number of specific CAD for Jewelry packages available. Their price range from a few hundred dollars to Several thousands of dollars.

The most popular are:

Rhino Gold

http://rhinogold.com/

Rhino Jewel

http://rhinojewel.com/en/

Gem Vision Matrix (Based on Rhino) made in the US.

http://www.gemvision.com/

ArtCAM JewelSmith made in England, http://www.artcamjewelsmith.com/

3Design Jewel made in France

www.3design.com/

JewelCad made in Hong Kong

http://www.jcadcam.com/

TechGems (Based on Rhino) made in Spain.

http://www.techjewel.com

What’s the difference between CAD for Jewelry and CAD/CAM for Jewelry?

With a CAD program you can only make a design, usually a 3D Model. Then you can display the 3D Jewelry design in the screen of your computer. You can also export your design to produce a physical model, usually a wax model. The most popular file format to export in the jewelry industry is the STL format.

A CAM program allows you to produce the instructions to produce your model in a CNC. These instructions are also called G-Code.

From the list above, ArtCAM JewelSmith is the only program that is an integrated CAD/CAM for jewelry program. In ArtCAM JewelSmith you don’t have to export or create an STL file to produce the instructions (G-Code) to create your model in a CNC.

The other programs in the list are only CAD program. In these programs you have to create your design in STL format to produce the instructions for the CNC in a separate program.

Can I learn CAD for Jewelry on my own?

Yes, you can learn CAD for Jewelry in your own. Some programs have very good tutorials available. But be prepared to spend a tremendous amount of time practicing, you will also need an unlimited amount of patience. If you want to get a CAD for Jewelry system to save time and money producing your models do not attempt to setup and learn the system by yourself. Get specialized training.

Designing

We can supply exclusive designs on request:

On Our Designs – Request an alteration to your specifications on an exclusive basis. If ordered, we will not offer the design in our product line.

On Your Designs – We can deliver exclusivity if requested when processing your designs either in form of CAD Files, prototype,Models, Moulds

In case the client requires amendments and/or alterations to the design, a separate quote will be issued by Unique Designs CAD CAM Solutions  to the client. Upon acceptance by client of such quote, we will make the requested amendments and/or alterations in a timely manner.

CAD/CAM

Stereolithography (.stl) files are produced by 3D CAD (computer aided drawing) programs, and are used by rapid prototyping, wax plotting and milling machines to make physical models of the 3D image. Our 3D jewelry model files in .stl format are error-free and ready for manufacturing. These files can go straight into production on these machines.

Many applications are capable of opening stereolithography files – most major CAD drawing programs, such as Rhino 3D are capable of previewing such files. If you don’t have one of these programs installed in your computer.

These STL files are used in prototyping or milling-machines that craft hard-copy wax models for direct precious metal casting, or for the making of master models or production of silicone molds for volume castings. In case you do not have access to hard-copy model production from STL files, we will be pleased to help you with wax model.(terms and condition applied).

We use JEWELCAD and Rhino Gold, Rhino Jewel.

Yes you can. Please submit your designs to us

When ordering a custom design from us, it is understood that the design will be prepared in accordance to the specifications outlined in the Request for Quote, filled in by the client and the order acceptance by us. We warrant the design to be free from defects in design workmanship. Should any part of the design not be in accordance to the details as per the Request for Quote, we will adjust the design at no cost to the client.

Mould

We provide rubber molds using Castaldo rubber or silicon. We will use Castaldo Gold by default please tell us if you want Castaldo Silicon.

You can provide your model and we will facilitate you with a metal mould

Diamonds History Luxury Marketing Brands – Gold Jewellery Freelance Designing Jobs Careers Opportunities Animation RPT WAX Prototyping CAM Training Retail


Aesera Jewel Design  Academy

 

No 144/74, Eskay building, 3rd floor,

 

Greams Road, Thousand Lights

 

Chennai, India, Tamil Nadu

 

Mobile:  +91-9444100081,9840689781

 

 

 

  • What is a diamond?
  • Where do diamonds come from?
  • How is a diamond cut?
  • What is an “Ideal Cut”?
  • How does a diamond get from the mines to the stores?
  • Is a diamond a good investment?
  • What is the difference between a “certified diamond” and a “non-certified diamond”?
  • Is it safe to receive a diamond in the mail?

 
A diamond is a crystal made up entirely of carbon atoms that are arranged in an isometric, or cubic, matrix. A cubic crystal arrangement is one in which the crystal essentially expands outward at the same rate in all directions during its initial growth; the ideal result, when the crystal forms without any interference, is a pure and perfectly formed octahedral shape. However, most diamond crystals encounter varying heat or pressure, other elements, or even other diamond crystals during their growth, and this can alter their form somewhat. The resulting form and characteristics of the crystal, once it emerges from the earth, help to determine what shape, color and clarity the polished gem will have.
The combination of diamond’s molecular composition and its crystal structure is what makes it so unique and gives it all the qualities that we think of when we think of a diamond.
Consider this: The graphite that you commonly find in pencils is also made of pure carbon, but because the carbon atoms are arranged differently, the result is a soft gray-black substance that is very unlike hard, colorless diamond. And iron pyrite (known more commonly as “fool’s gold”) grows in an isometric arrangement, but because it is not made of pure carbon, it also lacks the spectacular qualities of diamond. 


The unique characteristics of diamond go far beyond what you can see with your eye. In addition to their superior brilliance and dispersion, diamonds are the hardest natural substance on earth. 


Diamond rates a 10 on the Mohs scale of hardness, which means that it is extremely resistant to scratches; it is several times harder than the next-hardest substance, corundum, which is more commonly known as ruby and sapphire. 


Diamonds are also very tough, meaning that they do not easily break, chip or crack. And even more interestingly, they are extremely resistant to heat and chemicals: it would take a temperature of at least 720° Celsius in air, or 850° Celsius in a vacuum, to burn a diamond; and sulphuric and hydrochloric acids, which are capable of completely dissolving the skin and bones of a person, have no effect at all on diamonds (in fact, these acids are actually used to clean the oil and dust off polished diamonds after they have been cut). 

This question had been unanswered till the end of the seventeenth century. 

Even the relationship to carbon was suspected.

In 1694, two Italian academicians had done an experiment on diamond in Florence.  They set up a large burning glass focused on a small diamond and saw it “cracked, coruscate and finally disappear”, leaving a minute quantity of blue ash. But it was the French physicist Babinet, who proved beyond reasonable doublet that a diamond was carbon in exceptionally pure form.           

 

One of Lavoisier’s most celebrated experiments was to place a diamond in a bell jar filled with oxygen which rested in a basin containing mercury. The rays of the sun were then focused on the diamond by means of a large burning glass. After the diamond had been consumed, the bell jar was found to contain great quantities of carbonic acid, indicating to Lavoisier that the diamond was composed of carbon. Later experiments by Humphry Davy in England prompted him to conclude that the diamond was composed of carbon and nothing else, a view that was first contradicted in 1841 by Dumas and Strass whose numerous experiments revealed minute traces of other elements notably nitrogen and aluminum. It is these slight impurities that deform the perfect crystalline structure of the ideal diamond and can have a marked effect on the physical properties of a stone. 

It would be an exaggeration to say that not much more is known about the origin of diamonds today, more than two thousand years ago when they were believed to be the splinters of stars. Nevertheless, it is true that there is still no unanimity among geologists about exactly how and where diamond is formed. As late as the nineteenth century, theories about the origin of diamonds had been shaped by the fact that the stones had always been found on or very close to the surface, either in riverbeds or in the beds of the rivers that had dried up ages ago. Even as late as 1869 the Gentlemen’s  Magazine of London reported that a “continental experimentalist” had declared that the intense cold of stellar space disassociated and crystallized carbon from “masses of meteoric nature coursing through space” and caused diamonds to fall from the sky. The editor went on to comment that “the location of diamonds upon the earth agrees much better with the hypothesis of a sky source than an earth source” and that “those cope specimens now attracting so much attention are found on the surface of the ground only it is of no use to dig for them”, still the “continental experimentalist” may well have a point. Diamonds have been found in meteor craters at Novo Urei in south-eastern Russia and at Canyon Diablo in Arizona; although most scientists believe they were created by the heat and pressure of impact and not carried to earth in the meteors.   


It was not until the discovery of the “dry diggings” at Kimberley in 1870, coupled with the determination of the miners to excavate every inch of their dearly bought claims that it became clear that diamonds came from below and not from above. It was also clear that diamond was invariably associated with one particular type of rock and that this rock was only to be found in clearly delineated areas. Since the rock and the diamonds persisted at depth, it was soon suggested that these “pipes” were volcanic in nature and that diamonds had been formed out of carbon under intense heat and pressure deep in the bowels of the earth. They had been forced toward the surface when those long extinct volcanoes had erupted millions of years ago. This strange diamond bearing rock, soon to be called Kimberlite was assumed to be nothing more than solidified lava. But as mining progressed at Kimberley it was discovered that the pipes were not great volcanic funnels plunging into the earth’s core.


A great deal has since been learned from the making of synthetic diamonds and perhaps the most widely accepted current theory is that since diamond forms at pressures and temperatures between 0.5 million pounds per square inch, the formation must have taken place at depths of at least 120 miles, chemical studies pointed to the ultra basic rock peridotite in its molten form as the most likely to have provided the right conditions for the creation of diamond from carbon. The molten of crystallization is assumed to have been long and slow and the theory goes that conditions remained stable for a considerable period as a result of the pressure of carbon dioxide gas below became too great, the balance was changed and the diamond bearing magma was driven explosively towards the surface. On the way, it picked up other rocks and minerals forming itself into the “geological plum pudding”  that we now call Kimberlite, eventually erupting through the surface of the earth and solidifying.

 

 
Diamonds are made up of pure carbon atoms that exist deep in the ground, exposed to intense heat and pressure over billions of years. Over time, this pressure builds up and forces the diamonds and rocks up toward the surface in a volcanic-like explosion. The explosion creates a very deep, wide hole called a “pipe” into which most of the diamonds settle; these deposits of diamonds are known as primary deposits. Other diamonds are washed away by water or erosion, and often settle into the coastal waters of nearby bodies of water; these are alluvial deposits. These deposits occur in many places around the globe; however, the largest commercial deposits exist in Angola, Australia, Botswana, Namibia, South Africa, Russia and Zaire, which produce 80% of the  world’s diamonds. 


Walking through the aisle of a jewelry store, you may not think diamonds are especially rare. But consider this: 250 tons (500,000 pounds) of ore must be mined and processed to produce just one carat of rough diamond. Since a rough diamond typically loses 40% to 60% of its weight when cut, that means that all these efforts are necessary to produce just one of the .50 carat polished diamonds you find in the store’s display counters. When you also consider the fact that only about one quarter of all rough diamonds are actually suitable for gem cutting, you can begin to appreciate the rarity and uniqueness of each diamond. 


A quick, fun fact: The first diamond deposits were brought to the surface of the earth approximately 2.5 billion years ago. The most recent deposits are roughly 50 million years old. Your diamond is a truly unique piece of history.
 

 
A newly mined rough diamond looks more like a piece of glass washed up on the beach than like the polished gems sold in jewelry stores. Bringing out their beauty requires the skill and art of a trained diamond cutter.
While incredibly precise, computerized machinery is now used in some parts of the cutting process for some diamonds, most of the work is still performed by hand using exacting and meticulous techniques passed down over the generations. 


As a first step, cleaving or sawing is often used to separate the original rough into smaller, more workable pieces that will each eventually become an individual polished gem. Next, bruting grinds away the edges, providing the outline shape (for example, heart, oval or round) for the gem. Faceting is then done in two steps: during blocking, the table, culet, bezel and pavilion main facets are cut; afterward, the star, upper girdle and lower girdle facets are added.
Once the fully faceted diamond has been inspected and improved, it is boiled in hydrochloric and sulfuric acids to remove dust and oil. The diamond is then considered a finished, polished gem.


  What is an “Ideal Cut”?

 
The “Ideal Cut” is a cut based on a specific set of proportions for a round brilliant diamond proposed by gem cutter Marcel Tolkowsky in 1919. While Tolkowsky’s original theories presented only one particular combination of proportions for creating the best balance of brilliance and dispersion, today the American Gemological Society recognizes any diamond falling within a narrow range of proportions and finish quality as being an “Ideal Cut” (also called an “AGS 0” or “AGS triple zero”).

How does a diamond get from the mines to the stores ?

 
Finding the rough diamonds is only the first step. Once diamonds have been mined and processed out of the ‘overburden’ (that is, the kimberlite rocks in which they are imbedded), the rough crystals are sorted and categorized according to their size, color, shape and other characteristics. At this point, a diamond can follow one of two routes. 


The most common route is through the channels of DeBeers’ Central Selling Organization (CSO). Many people are familiar with DeBeers mainly because of their advertisements and commercials and because of the famous motto that they coined in the early half of the 20th century: “A Diamond is Forever.”
While DeBeers’ market influence has decreased somewhat over the last few years, they still control the majority of the world’s diamond production (an estimated 30% to 40% of annual diamond production). 

 

The purchasing arm of the CSO not only buys diamonds from member mines around the world; it also finances mining technology for governments which do not have the means to mine their own deposits. Most of what is bought through the CSO is sent to London to be offered to buyers through DeBeers marketing arm, the Diamond Trading Corporation (DTC). The DTC holds ten week-long selling sessions called ‘sights’ each year. These sights are by invitation only, and only a handful of diamond manufacturers from around the world (called ‘sightholders’) are allowed to attend. These sightholders may chose to cut the rough diamonds they buy themselves, or they may chose to sell some of the rough diamonds to smaller manufacturers. These smaller manufacturers cut the rough diamonds and sell the polished gems either to jewelry manufacturers (who set the diamonds into finished pieces of jewelry and then sell the jewelry to jewelry retailers), or to diamond wholesalers (who then, in turn, sell the diamonds to diamond retailers). 

 

In the less common route from mine to market, some independent miners elect not to sell their mine production to the DeBeers cartel. Instead, they offer newly mined diamonds directly to other world buyers. These buyers, in turn, may chose to cut and sell the diamonds themselves, or pass the diamonds along within the industry in a manner similar to that described above.

 
The answer depends on whether you are investing in the diamond itself, or in what a diamond represents. 


Diamond prices have been steadily increasing for the past 20 years, and diamonds tend to hold their value. Given this, it is extremely unlikely that diamonds will ever entirely lose their value, in spite of how the market may change in the future. However, no one can predict, with absolute certainty, which way the market will swing and, in general, we do not recommend buying up high-quality diamonds as a main part of a financial/retirement plan.
On the other hand, if you are looking for a source of beauty and a symbol of eternity and everlasting love, there are few objects you can choose that will surpass a diamond’s perfection. Diamonds have inflamed man’s passions since the first moment at which they were discovered, and their power over our emotions and desires has only grown since then. As a timeless and beautiful gift to yourself or as an emblem of your commitment to another, a diamond is an excellent investment.

What is the difference between a “certified diamond” and a “non-certified diamond”?

 
There is no physical difference between a diamond that is certified and one that is not. A certificate does not change the nature of a diamond in any way. The difference between a certified and an uncertified diamond is that, with the certified diamond, you have tangible, legal assurances as to the particular nature and quality of the diamond you are purchasing. 


A certified diamond comes with a diamond grading report guaranteed by an accredited gem lab. This report assures the customer that the diamond is independently recognized as possessing all the qualities specified by that report. All the diamonds featured in the Diamond Store on our site are certified by either GIA or AGS. When you buy a certified diamond, you are getting a diamond with beauty and pedigree. 


On the other hand, an uncertified diamond has is not accompanied by a diamond grading report, and therefore its stated quality is based only on the word of the seller. 


An uncertified diamond is not necessarily a bad diamond; certainly, it can be as beautiful as its certified counterpart. However, we encourage our customers to buy certified diamonds for the following reasons: 


Shopping for certified diamonds allows you to make an informed choice about your selections, and to comparison shop. You can compare one diamond with a particular weight and quality with other diamonds of similar weight and quality to determine which is the better value. With uncertified diamonds, it is difficult to determine whether the quality assessments of one jeweler will be as stringent and precise as the judgments of other jewelers; that is, not all jewelers may agree about the quality of an uncertified diamond. 


A diamond grading report adds value to a diamond. The quality assessments made by independent labs, such as GIA or AGS, are recognized worldwide. These quality assessments are used by appraisers to determine the insurance or replacement value of your diamond. If you purchase an uncertified diamond, there is no guarantee that the appraiser will appraise your diamond at the same level at which the jeweler who sold it to you did. A quick note on how reports from various independent labs compare with one another: GIA and AGS are considered the industry leaders, and the final word on gem quality, among diamond dealers worldwide. While plenty of other independent labs exist, some are a bit lax in their assessments of diamond quality and do not command the same respect for consistency and quality of grading that GIA and AGS do. For this reason, if you are in the market for a diamond, make an effort to buy only GIA- or AGS-graded diamonds. 


A diamond grading report adds an increased comfort-level to your purchase. Because the quality of your purchase has been independently verified, you can feel assured that you have made a wise purchase and that you have received exactly what you have paid for.

Is it safe to receive a diamond in the mail?

 
Yes and no. It is safe if the diamond jeweler uses insured carriers (e.g., FedEx and UPS) to ship its packages and all shipments are insured for the full value of their contents. 


Before buying a diamond online, find out what the store’s policy is in case of lost shipments. A professional diamond jeweler should have no objection to providing either a replacement or a refund. 

 

History:       

The story of the diamond begins in a remote era the world’s history, lost in the mists of time. For untold ages the diamond lay hidden and unregarded within the earth, until man at last recognized it as the most precious of all nature’s creation and begins to use it for his own delight and benefit. We will probably never know exactly when the  first diamonds were discovered. But we do know that from ancient time until eighteenth century, India was the world’s sole supplier. Although it is impossible to locate the first discovery, there are very early documents that mention the diamond and perhaps explain why man showed such special interest in it. Many histories maintain that the diamond has been known since ancient times.

In Greek literature from very early date the word adamas (which eventually gave its name, via Latin adamus, adamantinus, to the diamond) is often used in sense very close to that of yahalom, being similarly associated with the idea of invincibility. The first known use of the word occurs in the works of the poet. Hesiod, who lived in the eighth century B.C. But nowhere in Hesiod, or in any other writing of that period, is the term applied to a diamond or any other precious stone. For some eight centuries the word adamas was applied exclusively to iron, to describe its unbreakable quality. Not until the first century A.D. was the word used as a noun, by that time, no doubt, designating a diamond. It appears as such in the celebrated Roman encyclopedia, the natural History of Pline the Elder.

 

India: The first Producer  

 

It is curious that in all the numerous, lengthy arguments among historians over the origin of diamonds, discussion nearly always centers on the countries that acquired the gems and never on the country that produce them. From ancient times until Brazil entered the picture in the eightieth century, India was the only significant diamond producing country. Until the twentieth century, source for the study of diamonds in India were largely unavailable. In 1905, however, an ancient Sanskrit manuscript was discovered, the Artha Sastra of Kautilya, which may be translated as “The Lesson of Profit”. This remarkable work is basic text providing invaluable detail of the economic and legal history of India in the fourth century B.C. Kautilya was the minister of King Chandragupta Maurya and had helped put him on the throne of the kingdom of Magdha. King Chandragupta, who ruled from about 320 to 298 B.C., was the founder of the Maurya dynasty and may be called the first emperor of India. We know of him also through the Greek Megasthenes, who lived at his court until the discovery of the Artha Sastra, in fact, Megasthenes was our sole source of information on this period. A careful reading of Kautliya’s treatise reveals unquestionably that not only were diamonds known in the fourth century B.C., but they were commodities in a very active trade, were subject to regular taxation and customs duties, and were one of the sources of the royal revenue.

 

Diamond Found:    

 

The first undoubted diamond were discovered in India and it was there that the first systematic diamond mining was carried on Jean Baptiste Tavernier, the celebrated French Jeweller and traveller in the East, recorded intensive mining going on in the 1660’s at Kollur near Golconda the legendary fortress city that lent its name to the entire mining area and served as the headquarters of the Indian diamond trade.

 

It was at Kollur that the most famous Indian diamond-The Kohinoor, The Great Moghal and The Regent are said to have been found. Another celebrated diamond mining area was further north at Panna and neighbouring villages in the province of Bundelkhand. It is a strange coincidence that the Brazilian diamonds were found just as the supply from India was running down, and that even the Brazilian deposits were nearly exhausted in their turn, huge supplies were discovered in South Africa. It had long been thought possible that diamonds would be found in South Africa. The early Boers were farmers not explorers and they had little interest in geology that not leads them to fertile soil or abundant water. It was not until thirty years later in 1866, that the first known diamond was picked up.

 

Everyone knew that diamonds came from India and more recently from Brazil and they had forgotten the skepticism that had greeted the Brazilian finds in the 18th century. The colonial secretary is to have taken the diamond into Cape town., placed his hand upon it and said “Gentlemen, this is the stone on which the future success of South Africa will be built.

 

How to choose the Perfect Diamond 

Buying a diamond is one of the most important decisions a couple will make. Choosing the size and shape along with the style of the mounting are important personal choices. Understanding the characteristics that influence the brilliance, beauty and value of diamonds can make your buying experience more enjoyable and more fulfilling. Diamonds are like people—no two are ever exactly alike. Very subtle differences in the internal and external characteristics of each stone, along with subtle variations in color and cutting proportions, have a measurable effect on the value of two diamonds which may appear to be similar. Start with a good jeweler, one who’ll take the time to help you through the 4 Cs—cut, color, clarity and carat weight. Understanding the language of diamonds will put you more at ease in making your selection. The next step should be obtaining a diamond certificate from a reputable independent gemological laboratory. The certificate identifies and evaluates specific characteristics that determine the value of the stone you select.

 

 

 

Diamond Trading:     

 

The diamond business has been redefined by branding and the fundamentals of advertising, public relations, and marketing – all of which are geared to the downstream retail and consumer jewelry markets with their unique customer segmentation features and demographics. Online access to the multiple brand environment of the diamond business including articles about Lev Leviev & Bulgari – May 2004, the Art of Marketing and Branding Diamonds, and The Case of the Missing Icon – De Beers LV.

Emerging Trends Downstream:
Emerging trends in the global diamond jewelry, fashion, and retailing sectors.

 

Antwerp World Diamond Center:
Approximately 1,500 diamond offices are located in Antwerp on Hoveniersstraat, Schupstraat, Rijfstraat, and Pelikanstraat.

Natural Diamonds:
The cumulative effect of branding can already be calculated and determined. The next challenge facing the diamond business, trade, and industry is promoting the importance of and supporting the integrity of natural diamonds (and their sources of rough). Private companies, individual diamond exchanges, the DTC, and the World Federation of Diamond Bourses have already started to address the issue.

Brands:
Branded diamonds and jewelry are the hottest topics in the diamond trade today; hearts and arrows, ideal cuts, round brilliants, squares, fancy shapes, fancy colors, modified rounds and fancies, the Regent, Queen of Hearts, Hearts on Fire, the Lazare Diamond, the Leo Diamond, Dream, Prince, Nakshatra, PrincessPlus, Royal Asscher, Lily Cut, Crisscut, cushion cuts, Rand, Cushette, Zales, Princessa, Flanders, Sirius, Tsarina, Lucida, Elara, Tycoon, Escada, Ashoka, Vera Wang, the Regent, the Queen of Hearts, the Eighternity, the Web Cut, and the Radiant Star to name but a few.

 

Mumbai India’s Diamond Capital:
Hundreds of diamond offices are located in the general area of the Royal Opera House near the Roxy Cinema, Mumbai.

 

Surat  World’s Major Diamond Cutting & Polishing Center:


Surat, is the major diamond manufacturing center. 8 out of 10 diamonds are cut & polished in Surat.

Sightholders: 


Branded diamonds and jewelry and other sightholder programs have the advantage of support from De Beers and the DTC including a new trademark, the forevermark program, the Diamond Promotion Service (DPS) worldwide, the Diamond Information Centers, J. W. Thompson, and many other added value features and services.

Jewelry Trade Shows:


The favorite venues for launching a new line of diamond set jewellery or a new branded diamond are the jewelry tradeshows worldwide, including the JCK, the JA New York, the Couture Show, Centurion, Diamonds by JCK, and shows in Las Vegas, Tucson, Mumbai, Tokyo, Bangkok, Basel, Hong Kong, and China.

Bourses:
Offices in diamond exchanges and cutting centers, worldwide including Hong Kong, Antwerp, Ramat Gan, New York, Tokyo, India (Mumbai and Surat), Israel, China, Canada, Russia, South Africa, Dubai, Shanghai, and Moscow trade in both rough and polished diamonds.

Israel Diamond Exchange: 


Approximately 1,200 diamond companies are located in the Shimshon, Maccabi, Noam, and the Diamond Tower buildings.

 

Diamonds  Luxury Marketing


Advertising has increased in luxury, business, travel, bridal, fashion, and jewelry magazines including Elle, Maxim, Oprah, Town & Country, Vogue, W, Robb Report, InStyle, and Vanity Fair to name but a few. The bridal market (and the media devoted to it) is considered to be an easy entrance course into the world of branding and brands, because the curriculum stays the same and the class changes on a regular basis.

 

THE 4 Cs

Cut

Cut actually means two things: the shape of the diamond (round, marquise, pear, oval, heart, emerald, princess, radiant, etc.) and the proportions of the stone. When a stone is cut to good proportions, light is reflected from facet to facet, then dispersed through the top. The better the cut, the greater the sparkle, brilliance and fire of the stone.

Color

Most diamonds look colorless. But there are subtle shade differences that range from colorless to yellow/brown. Diamonds are graded on a color scale that ranges from D (colorless) to Z (yellow/brown). Diamonds with no hint of color at all are extremely rare and are therefore, most valuable. Most gem quality stones appear to be colorless, but they usually have at least a hint of color.

Clarity

Almost all diamonds contain a combination of internal and external characteristics called inclusions and blemishes. Normally, they are too minute to be visible without powerful magnification. Some are even so small they require great skill and time to locate. The number, type, location, visibility and color of inclusions determines a diamond’s clarity and may influence its value.

Carat Weight

Like all precious stones, the weight or size of a diamond is measured in carats. A one carat stone is equal in weight to one hundred smaller units called “points.” Therefore, a fifty-point diamond, for example, is the same as a half carat. Carat weight is the most obvious factor in determining a diamond’s value, depending on the quality of its cut, clarity and color.

Grading Colored Stones

Gemstones are the most fascinating natural objects on earth. Ancient historical records show that primitive peoples adorned themselves with gems and believed that gems had magical powers. Some societies even used powered gems for medicinal purposes! The classification of gems in ancient times was mainly associated with color. In other words, all red stones were once called “ruby,” all green stones were called “emerald,” and all blue stones were called “sapphire.” Today people wear gems for many different reasons, including fashion, sentiment, and prestige. As gems became associated with money, the need for accurate identification grew.

 

The introduction of manmade gems and imitation materials in the 1800’s created an urgent need for experts who could separate the genuine from the fake. The invention of the first cultured pearls and green-glass emerald imitations in the early 1900’s further created need for gemological expertise. Today virtually all gemstones, including diamonds, have a number of manmade counterparts and imitations.

The 4 C’s of Colored Gemstones

Colored stones are graded in a similar way to diamonds. Color, clarity, cut, and carat weight are the main value factors. The difference is that these factors are evaluated and weighted somewhat differently than in diamonds. Diamonds are assigned very precise grades for color, clarity, and cut. In colored stones, color is the main consideration. Unlike with diamonds, a minor clarity difference rarely affects the price of colored stones.

Color:

Color in gemstones normally results from the presence of small amounts of trace elements. Some of these coloring agents are an essential part of the gem’s composition, while some are introduced as an extra element when the gem is forming in the earth. Regardless, these elements are responsible for the amazing variety of colors we see in the many different gemstones. Even diamonds appear in virtually all colors of the rainbow. Generally, the more pure and intense the color, the more desirable and more valuable the stone will be. Once again, a top color is more important than a top clarity.

Clarity:

The internal purity or clarity of a colored stone is secondary to the color quality. Clarity characteristics are often a beautiful part of a colored stone–and a key to identification. Collectors even value some colored stones for unusual inclusion scenery. In fact, inclusions can actually increase the desirability and value of certain colored stones. They do this by creating what is called “phenomena.” An example of highly valued and beautiful phenomena in colored stones is the star appearance in sapphires and rubies, which results from the presence of intersecting “needles” of the mineral rutile. The cat’s eye phenomena in tiger-eye quartz is the result of a similar condition, except the inclusions are lined up in a parallel manner. The value of certain colored stones, however, can be diminished by the presence of inclusions, when those inclusions are so numerous that they interfere with the passage of light through the stone and make it look cloudy.

Cut and shape:

Colored stones are cut into a wider variety of shapes and proportions than diamonds are. Where the round brilliant-cut is most popular for diamonds, other shapes are better suited to show off a colored stone’s beauty, such as oval, cushion, pear, marquise, emerald cut, cabochon, mixed-cut, trapezoid, and tablet. Each cut is chosen to show off the best color and preserve the most weight from a colored stone. Colored stone proportions also differ radically from those of a well-cut diamond. The bulk of a colored stone may be on the bottom where it has the best chance of returning the most brilliance and best color to the viewer. Certain colored gems look better in some cuts than in other. For instance, the majority of fine quality emeralds are cut in the traditional emerald cut shape. Opals are always cut with a smooth curved top (en cabochon). Fine quality rubies and sapphires are normally cut in oval or cushion shapes.

Carat weight:

The weight of diamonds and colored stones is expressed in carats. One carat consists of 100 “points” and is equal to 0.200 grams.

DIAMOND CUTTING STEPS


Marking

MarkingMarking is done after examining each rough diamond to decide how it should be cut to yield the greatest value. To make this decision, the shape of the rough diamond and the number and location of imperfections must be considered. Of utmost importance is the determination of the direction of the cleavage, or grain, in the diamond crystal (because of its atomic structure, diamond can be cleaved in four directions parallel to the octahedron crystal faces). Taking these factors into account, the planner decides how the diamond should be cut and marks it to indicate where the stone should be cleaved or sawed.

Cleaving

CleavingIf the planner’s decision is to cleave the stone, it then goes to the cleaver. Large diamonds are often preshaped by cleaving into pieces suitable for sawing. When the stone is very large and valuable, the cleaving is a most critical process, because a mistake by the planner or the cleaver can shatter the stone. The cleaver cuts a groove along the line showing where the stone is to be cleaved, using another diamond as a cutting tool. He mounts the diamond in a holder called a dop and inserts a steel wedgeinto the groove. He strikes the wedge sharply with a mallet and the diamond splits along its cleavage.

Sawing

SawingThe third step, or the second step if cleaving is unnecessary, in the diamond-cutting process is sawing. The saw is a paper-thin disk of phosphor bronze, rotated on a horizontal spindle at about 4,000 revolutions per minute. The sawyer mounts the diamond in a dop and clamps it so that it rests on top of the blade. The rim of the saw is charged with diamond dust, and, as the sawing progresses, the blade continues to recharge itself with diamond from the crystal being cut. The saw will cut through a 1-carat rough diamond in four to eight hours, unless it strikes a knot, in which case it may take much longer.

Girdling

GirdlingThe next step in cutting a round stone is called girdling (rounding; bruting). The diamond to be girdled is placed in the chuck of a lathe; while it spins, a second diamond mounted in a dop on the end of a long handle is held against it, and the diamond is slowly rounded into a cone shape.

Faceting

From the girdler the diamond goes to the lapper, or blocker, who specializes in placing the first 18 main facets on a brilliant-cut diamond. It then goes to the brillianteer, the worker who places and polishes the remaining 40 facets, if the stone is being cut in the standard 58-facet brilliant cut.

FacetingPlacing and polishing are done by setting the stone either in a lead dop or a mechanical clamp and holding it down on a revolving cast-iron lap (horizontal, circular disk) that has been charged with diamond dust. Great skill is necessary at every stage, but especially during faceting, because the angles of the facets must be exact in order to yield maximum brilliancy, and their sizes must be accurately regulated to preserve symmetry.

The most popular style of cut is the brilliant cut, a round stone with 58 facets. A single cut is a simple form of cutting a round diamond with only 18 facets. Any style of diamond cutting other than the round brilliant or single cuts is called a fancy cut, or fancy shape; important fancy cuts include the marquise, emerald, oval, baguette, heart shape, pear shape, kite, triangle, and trilliant. The term melee is used to describe smaller brilliant-cut diamonds as well as all small diamonds that are used in embellishing mountings for larger gems.

Myths About Diamonds 1

1. A DIAMOND IS FOREVER.

A diamond will only be forever if you take care of it. If you don’t a diamond can chip, fracture, or break. Even a diamond should come with a care instruction tag.

2. DIAMONDS ARE VERY RARE.

Nope! There is more of a man-made shortage than a natural shortage. The distribution of the number of diamonds put on the market each year is highly regulated. There are really enough diamonds to give each man, woman and child in the United States a whole cupful.

3. WOMEN ARE MORE SIZE CONSCIOUS THAN QUALITY CONSCIOUS.

This one is almost true, but not quite. Even though most women believe that bigger is better, there are still quite a few women out there that will sacrifice size to get a better quality diamond.

4. A DIAMOND IS THE MOST EXPENSIVE GEMSTONE.

The truth is there are quite a few more expensive gemstones on the market. For example, a top quality ruby can be worth over thirty thousand dollars a carat.

5. A LARGE DIAMOND IS ALWAYS WORTH MORE THAN A SMALL DIAMOND.

Size is only one criterion by which a diamond can be judged. A small, high-clarity, high-color diamond can cost more than a large, low-clarity, low-color diamond.

6. AFTER A DIAMOND HAS BEEN CUT, LITTLE DIAMONDS CAN BE CUT FROM THE SHAVINGS.

Usually there are no shavings, only dust. Most diamonds are ground down and there aren’t any little pieces left over to cut anything else. Most people believe a diamond is whittled, not ground down. This is another myth.

7. A FANCY SHAPED DIAMOND IS MORE DIFFICULT TO CUT THAN A ROUND DIAMOND.

All diamonds, to a certain degree, are difficult to cut, and some very large diamonds take more time and effort to cut than smaller diamonds do. But one diamond is not harder to cut than another just because of the shape.

8. DIAMONDS ARE A GOOD INVESTMENT.

Webster’s dictionary defines investment as “an outlay of money for income or profit.” Since most people purchase diamonds to be worn and not to be resold, diamonds are not a good investment. Only through proper education and training could diamonds become a good investment. For the average Joe, I would recommend buying a diamond for the enjoyment and prestige it brings and don’t be too concerned about making a buck.

9. A DIAMOND SHOULD BE BOUGHT STRICTLY ON ITS VISUAL APPEARANCE: “IF IT LOOKS GOOD, BUY IT.”

A lot of people believe “what I can’t see can’t hurt me!” Well, we all know that blind ignorance will only lead to disaster. Practically any diamond looks good in a jewelry store. The jeweler spends quite a bit on spotlights to make any quality diamond sparkle. But unless you plan on carrying a spotlight with you everywhere you go, you’d better check the four C’s or you might purchase a diamond that only looks good in a jewelry store and is lifeless everywhere else.

10. AN EMERALD CUT DIAMOND IS THE MOST EXPENSIVE SHAPE DIAMOND.

I don’t know why some people believe this. I constantly have clients tell me that they like emerald cut diamonds but know that they are the most expensive and can’t afford them. This is crazy! The emerald cut diamond is the least expensive of all the shapes. You see, it is the shape that is most like the natural shape of the rough, so there is a little bit less waste during the cutting process. If you like emerald cut diamonds, enjoy them, don’t avoid them; they are not any more expensive.

11. DIAMONDS ARE A BAD INVESTMENT.

Diamonds may not be a good investment for the average person, but they certainly aren’t a bad investment. If a diamond is purchased at the right price, it will most certainly hold its value. Since the diamond crash of 1979, when D flawless diamonds fell in value from seventy-five thousand dollars to under fifteen thousand dollars, the price of diamonds has been increasing constantly.

12. NO DIAMOND IS PERFECT.

The definition of a perfect diamond would be a diamond free from inclusions and blemishes when viewed under 10X loupe (flawless), with no trace of color (D-color), and perfectly proportioned. Even though they are rare, there are such diamonds around.

13. IT IS DIFFICULT TO TELL THE DIFFERENCE BETWEEN A DIAMOND AND A CUBIC ZIRCONIA.

Any good jeweler can tell the difference immediately. A cubic zirconia has more of a plastic look. There seems to be a light-blue cast throughout the entire stone. One sure way to determine the difference is by weighing the cubic zirconia. A cubic zirconia will weigh approximately 65 percent more!

14. DIAMONDS ARE EXPENSIVE.

Some are; some aren’t. It depends on their quality. Believe it or not, it’s possible to get a one-carat diamond for as low as three hundred dollars if it’s junky enough.

15. DIAMONDS ARE A GIRL’S BEST FRIEND.

This one would have stumped me, too. I’ve always believed that all women like diamonds. It wasn’t until recently that I learned there are some women out there that very much dislike diamonds and think they are a waste of money. I guess for them maybe a dog is their best friend.

Myths About Diamonds 2

 

1. A LAB GRADED DIAMOND MUST BE A GOOD DIAMOND.

I can’t even count how many jewelry stores I’ve gone in to and asked a jewelry salesperson if a particular diamond is good, only to hear, “Sir it must be good it has been graded by Laboratory XYZ! And only the best diamonds in the world can come with this lab grading report!” Give me a break, any lab anywhere in the world will grade and any diamond sent to them. Pure bred or rabid dog it doesn’t make a difference to them. The labs just want their fee.

2. AN IDEAL CUT DIAMOND IS IDEAL.

In the 1960’s jewelers would toss around the term “perfect” like they were passing out candy. “Sir, this is a perfect diamond”, “Ma’am, this is a perfectly fine diamond” or “Heck, this diamond is just plain perfect!” The FTC eventually stepped in and said the term was just plain misleading. Jewelers argued that they should have the right to call anything perfect that in their opinion was perfect to them.

They were overruled; the FTC passed a guideline that said only a D Flawless well cut diamond could brandish the label of “Perfect”. The jewelers changed their pitch. Forty years later we are hearing the same thing. “Sir, this is an ideal cut diamond”, “Ma’am, this is an ideally fine diamond” and finally, “This diamond is exactly cut, it is ideal!” Only one problem, FTC hasn’t stepped in yet. And until they do there will be over 100 interpretations of ideal. But don’t be fooled, it’s easy to identify the scammers. They are the ones that insist that total depths can exceed 61% for rounds and non-rectangular fancies.

They are the ones that insist on tiny tables for Rounds and giant tables for Emerald Cuts. They insist that these measurements are ideal, and I guess in some respects they are ideal in increasing the weight of the diamond so their bottom line goes up. Want Ideal? Be more specific and ask what class of cut a diamond is. In that arena there are hard and fast rules.

3. GREAT SYMMETRY EQUALS GREAT PROPORTIONS.

For the most part symmetry refers to the arrangement of the facets on the diamond, length to width ratios, out of roundness and inline culets. Symmetry excellent or otherwise does not infer great proportions or the relationship between crown and pavilion angles. If any salesman tries to imply that just because the symmetry on the lab grading report is good or better means it must be a well-proportioned stone it’s time to leave.

4. ONLY A DIAMOND CAN CUT GLASS.

There are a numerous of things that can cut glass. From synthetic diamonds to glass itself. Anyone who suggests that the best way to prove a diamond is real is to rub it against glass should have their head examined. This wives’ tale should stay just that.

5. A JEWELER WILL TEND TO MOUNT HIS BEST DIAMONDS IN READY TO GO SETTINGS

On the contrary, a jeweler will always premount his worst diamonds in settings. That way he can hide any chips under prongs and make it impossible for you to get an exact color and weight measurement. Always remember a jeweler’s best diamonds are in his safe and the only way to see them is to ask for them to be brought out.